Victory of Faith: George St. Hare, Limerick Artist (1857-1933)

Limerick School of Art Alumnus

George St. Hare was the son of Ella and George Frederick Hare, a Methodist family who once lived at No.2 Pery Square. His father was a dental surgeon from Ipswich and his mother was from Co. Wexford.

The Hare family in the 1911 census
The Hare family home (and business) in the 1911 census

George was educated at the Limerick School of Art in the early 1870’s where he excelled and won a scholarship at the School of Art, Kensington. His most notable works were his portraits and nudist paintings. The most infamous was arguably the “Victory of Faith” (1891) Continue reading “Victory of Faith: George St. Hare, Limerick Artist (1857-1933)”

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Spotlight: Padraic Colum’s thoughts on Pearse and MacDonagh (1916)

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taken from the Introduction to Poems of the Irish revolutionary brotherhood (Padraic Colum, 1916)

“The years that brought maturity to the [poets] who were foremost to sign, and foremost to take arms to assert, Ireland’s Declaration of Independence, may come to be looked back on as signal days in Irish history. They were days of preparation. The youth of Nationalist Ireland had turned to a task – the task of learning – of learning first the Irish language, of learning then about Irish public affairs, and at the end of learning arms and about the handling of men.

Padraic Colum - from a sketch by Jack B. Yeats
Padraic Colum – from a sketch by Jack B. Yeats

The generation that became conscious twenty years ago turned with hope, faith and reverence to Gaelic Ireland. From the remnant of the Gaelic speaking people they would learn what civilization their country was capable of attaining to. Those who regarded themselves as the historic Irish nation were then rediscovering their origins and their achievements : they were Celts; they were of the race of Brennus and Vercingetorix, of Cuchullain and Maeve, of Columbanus and Scotus Eiriugena; they were of the breed of the warriors who had shaken all empires although they had founded none; of the race of the missionary saints, and of the lovers of learning who had made themselves the patrons and protectors of European culture. The Ireland they willed would not be an autonomous West Britain, but a resurgent Gaelic nationality. And their race-dream was as fantastic perhaps as the race-dream of any other reviving people.

Those who mastered the Irish language began to learn it in classes spontaneously organised in the cities and the villages, and they made themselves fluent by living with fishermen and small farmers in far islands and remote villages. Classwork made a comradeship between young men and women. Their first control was over classes and their first intervention in public affairs was from the lecture platform.

kellsPadraic Pearse was the first of the young men to be seriously spoken of in the Gaelic League. He had learned Irish in one of the few schools where it was then taught, and he took up Irish studies in University College, then part of the old Royal, and now part of the new National, University. He graduated from University College and was called to the bar. Meanwhile he had mastered the language and had learnt about Gaelic life by living for long spaces of time in a cottage he owned in one of the poorest districts of West Connacht.

Continue reading “Spotlight: Padraic Colum’s thoughts on Pearse and MacDonagh (1916)”

“Irishmen All” Jack B. Yeats paints the national ‘types’ (1913)

George A. Bermingham (the pseudonym of clergyman and novelist Rev. James Owen Hannay) published a study of twelve different Irish ‘types’ in 1913. The illustrations of each Irish type were taken from oil paintings by Jack B. Yeats. These descriptive paintings are a contemporary and unique glimpse of pre-war Ireland. Hilary Pyle (a Jack. B. Yeats’ biographer) wrote that

The illustrations are fine achievements, paintings of typical characters making up the Ireland of the day, parish priest, businessman, farmer and so on, the results of carefully trained observation combined with a natural and intuitive creativity, and they demonstrate individuality, good draughtsmanship, a sense of design and gift for dramatic narrative.

Further Reading